The Bronze
Horseman (Russian: Медный всадник) is an equestrian
statue of Peter the Great in Saint Petersburg,
Russia. Commissioned by Catherine the Great, it was created by the
French sculptor Étienne Maurice Falconet. It is also the name of a narrative poem written by Aleksander Pushkin about the statue in 1833,
widely considered to be one of the most significant works of Russian literature. The statue came to be
known as the Bronze Horseman because of the poem's great influence and success.
The statue is now one of the symbols of Saint Petersburg, in much the same way
that the Statue of
Liberty is a symbol of
New York City. Both of them were designed and built by French artists.
The statue's pedestal is the enormous Thunder Stone, claimed to be
the largest stone ever moved by man (1,250 t).[1] In its original state the stone
weighed about 1500 tonnes. It was carved during transportation to its current
site.
Statue
The equestrian statue of Peter the Great is situated in the Senate Square(formerly the Decembrists
Square), in Saint
Petersburg. Catherine the Great, a German princess
who married into the Romanov line, was anxious
to connect herself to Peter the Great to gain legitimacy in the eyes of the people.[2] She
ordered its construction, and had it inscribed with the phrase Petro Primo Catharina Secunda MDCCLXXXII in Latin and Петру перьвому Екатерина вторая, лѣта 1782 in Russian, both meaning 'Catherine
the Second to Peter the First, 1782', an expression of her admiration for her
predecessor and her view of her own place in the line of great Russian rulers.
Having gained her position through a palace coup, Catherine had no legal claim to the throne and wanted to
represent herself as Peter's rightful heir.
In 1775 the casting of the statue began,
supervised by caster Emelyan Khailov. At one point during the casting, the mould broke, releasing molten bronze that started several fires.
All the workers ran except Khailov, who risked his life to salvage the casting.[3] After
being remelted and recast, the statue was later finished. It took 12 years,
from 1770 to 1782, to create the Bronze Horseman, including pedestal, horse and rider.
On 7 August 1782, fourteen years after excavation of the
pedestal began, the finished statue was unveiled in a ceremony with thousands
in attendance. Conspicuously absent was Falconet, as a misunderstanding between
him and the empress turned into a serious conflict. As a result he was forced
to leave Russia four years before the project was completed. Catherine largely
forgot about him afterwards, and came to see the Bronze Horseman as her own oeuvre.[3]
The statue portrays Peter the Great sitting heroically on his
horse, his outstretched arm pointing towards the River Neva in the west. The sculptor wished to
capture the exact moment of his horse rearing at the edge of a dramatic cliff.
His horse can be seen trampling aserpent, variously interpreted to
represent treachery, evil or the enemies of Peter and his reforms.[4] The statue itself is about 6 m
(20 feet) tall, while the pedestal is another 7 m (25 feet) tall, for
a total of approximately 13 m (45 feet).
Siege of Leningrad
A 19th-century legend states that while the
Bronze Horseman stands in the middle of Saint Petersburg, enemy forces would
not be able to conquer the city. During the 900-day Siege of
Leningrad by the invading Germans during the Second
World War (Leningrad being the city's name from 1924–1991), the statue was not
taken down, but covered with sandbags and a wooden shelter. The protection served
so well that the Bronze Horseman survived the 900 days of bombing and artillery
virtually untouched.[4]True to the legend, Leningrad was never taken.
Poem
The Bronze Horseman is the title of a poem written by Aleksandr
Pushkin in 1833,
widely considered to be one of the most significant works of Russian literature. Due to the popularity
of his work, the statue came to be called the "Bronze Horseman". A
major theme of the poem is conflict between the needs of the state and the
needs of ordinary citizens.
In the poem, Pushkin describes the fates of the poor man Evgenii
and his beloved Parasha during a severe flood of the Neva.
Evgenii curses the statue, furious at Peter the Great for founding a city in such an
unsuitable location and indirectly causing the death of his beloved. Coming to
life, the horseman chases Evgenii through the city. The poem closes with the
discovery of the young man's corpse in a ruined hut floating at the edge of the
river.
In 1903 the artist Alexandre Benois published an edition of the poem with
his illustrations, creating what was considered a masterwork of Art Nouveau.
The poem has inspired works in other genres: Reinhold Glière choreographed a ballet based on it,
and Nikolai Myaskovsky's 10th Symphony (1926–7) was inspired by the poem.
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